experiment in photo design (part 3)

(continued from previous entry)
details. after seeing that the general light composition is as i wanted it, i added them back in, still proportional to the lighting designed. i started with the couple farthest to the sitting girl and their immediate surrounding, and made sure i didn't add more than 30% of the details of the originally cleaned up file. the idea was to create a diagonal visual link between the girl and the heart painting without letting the couple distract this link even tho they're positioned along this link.



next was adding details to the middle couple - i decided this was enough detail for the entire background so i added it to the rest of the image except for the first couple. i know there isn't a very pronounced difference, especially at this size of the photo, but it's there. i also added a general brightness to the whole thing as it was getting a bit too gloomy.



next was the couple closest to the camera - making sure to make them not too dark as to grab too much focus on them. i then added details to the girls, a little bit more clean-up (removed throw pillows behind the sitting girl, on the far couch), adjusted levels, then the finished product.

(to be continued)


XXX

experiment in photo design (part 2)

(continued from previous entry)
fun part starts with a blank canvas. i added a simple circular gradient as a lighting guide, roughly following the thirds rule, to better bring attention to the main subject (the girl sitting by herself)



i then added partial luminosity of the cleaned up image in amounts following the lighting guide (20% of the couple closest to the subject, 35% of the middle couple, 50% of foreground couple, etc.)



a slight addition of the colors to check that they don't radically change the desired lighting.

(to be continued)


XXX

experiment in photo design (part 1)

here's a bit of an experiment, brought on by a hastily taken photo - my excuse being that it was taken in a photo event where one is given about 15 minutes to compose, light and execute the photo. i guess you can say it's more a photo rescue job than anything, but i thought, what if i take it a bit further? after all by doing an experiment - you achieve something just by going thru the process - so no effort lost.

what i wanted to do was to see what it would be like if you approach a photo like you would a painting, i.e. do an additive process thereby ensuring control over the elements that go in the photo and the lighting relationships between them.



as per usual, i began by doing my typical clean-up edit. corrected perspective, toned it so that colors are not all over the place, replaced copyrighted content (painting on the wall), removed distracting elements (bit of balcony, upper right corner, and sloping window frame on the other side), etc.



right after "correcting" (there was nothing wrong with it, it just wasn't the perspective i wanted) the perspective tho, and before cleaning up, i had to do the masking. it's just one of those things that one has to do when working extensively on a photo. better have it done with as early on as possible to make full use of it. everything else after masking is child's play.

(to be continued)

XXX