here's a bit of an experiment, brought on by a hastily taken photo - my excuse being that it was taken in a photo event where one is given about 15 minutes to compose, light and execute the photo. i guess you can say it's more a photo rescue job than anything, but i thought, what if i take it a bit further? after all by doing an experiment - you achieve something just by going thru the process - so no effort lost.
what i wanted to do was to see what it would be like if you approach a photo like you would a painting, i.e. do an additive process thereby ensuring control over the elements that go in the photo and the lighting relationships between them.
as per usual, i began by doing my typical clean-up edit. corrected perspective, toned it so that colors are not all over the place, replaced copyrighted content (painting on the wall), removed distracting elements (bit of balcony, upper right corner, and sloping window frame on the other side), etc.
right after "correcting" (there was nothing wrong with it, it just wasn't the perspective i wanted) the perspective tho, and before cleaning up, i had to do the masking. it's just one of those things that one has to do when working extensively on a photo. better have it done with as early on as possible to make full use of it. everything else after masking is child's play.
(to be continued)
XXX
